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Full Bloom
Like a classic portrait, this photograph perfectly captures the character of an inquisitive donkey. Silver gelatin print toned with sepia and selenium. Hand printed by the photographer in a traditional darkroom from the original medium format negative onto double weight fiber-based paper with a semi-matte surface. Edition of 50 in one size only. Signed in pencil in the lower front right corner margin and editioned in pencil in the lower front left corner margin. Titled, dated (year negative was made and year print was made), editioned, and signed with archival ink on the print margin verso. Conservation matting; all materials are acid free. Matted in white four-ply cotton rag museum board off-set from the image. The print is attached to the backing board with archival corners - it is not drymounted.
Like a classic portrait, this photograph perfectly captures the character of an inquisitive donkey. Silver gelatin print toned with sepia and selenium. Hand printed by the photographer in a traditional darkroom from the original medium format negative onto double weight fiber-based paper with a semi-matte surface. Edition of 50 in one size only. Signed in pencil in the lower front right corner margin and editioned in pencil in the lower front left corner margin. Titled, dated (year negative was made and year print was made), editioned, and signed with archival ink on the print margin verso. Conservation matting; all materials are acid free. Matted in white four-ply cotton rag museum board off-set from the image. The print is attached to the backing board with archival corners - it is not drymounted.
$1,000.00
Full Bloom—
$1,000.00
Description
Like a classic portrait, this photograph perfectly captures the character of an inquisitive donkey. Silver gelatin print toned with sepia and selenium. Hand printed by the photographer in a traditional darkroom from the original medium format negative onto double weight fiber-based paper with a semi-matte surface. Edition of 50 in one size only. Signed in pencil in the lower front right corner margin and editioned in pencil in the lower front left corner margin. Titled, dated (year negative was made and year print was made), editioned, and signed with archival ink on the print margin verso. Conservation matting; all materials are acid free. Matted in white four-ply cotton rag museum board off-set from the image. The print is attached to the backing board with archival corners - it is not drymounted.
